Nonfiction

Les Années

Les Années

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  • Type：Epub+TxT+PDF+Mobi
  • Create Date：2022-10-07 03:53:13
  • Update Date：2025-09-06
  • Status：finish
  • Author：Annie Ernaux
  • ISBN：2070402479
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Summary

« La photo en noir et blanc d'une petite fille en maillot de bain foncé， sur une plage de galets。 En fond， des falaises。 Elle est assise sur un rocher plat， ses jambes robustes étendues bien droites devant elle， les bras en appui sur le rocher， les yeux fermés， la tête légèrement penchée， souriant。 Une épaisse natte brune ramenée par-devant， l'autre laissée dans le dos。 Tout révèle le désir de poser comme les stars dans Cinémonde ou la publicité d'Ambre Solaire， d'échapper à son corps humiliant et sans importance de petite fille。 Les cuisses， plus claires， ainsi que le haut des bras， dessinent la forme d'une robe et indiquent le caractère exceptionnel， pour cette enfant， d'un séjour ou d'une sortie à la mer。 La plage est déserte。 Au dos : août 1949， Sotteville-sur-Mer。 »

Au travers de photos et de souvenirs laissés par les événements， les mots et les choses， Annie Ernaux donne à ressentir le passage des années， de l'après-guerre à aujourd'hui。 En même temps， elle inscrit l'existence dans une forme nouvelle d'autobiographie， impersonnelle et collective。

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Reviews

Rosi Sonntag ，

Die Autorin bringt mit vielen Details zwischen Alltag und Politik die Stimmung und die Atmosphäre des Frankreichs der Nachkriegszeit ein。

Omar Suboh ，

La memoria è un carcere da cui evadere。 Il tempo unisce una voce individuale con il coro della Storia， e questa sembra scorrerci accanto senza metterci mai nella condizione di accorgercene。 Annie Ernaux， vincitrice del Premio Nobel per la letteratura 2022， ha fatto della propria biografia il veicolo per dispiegare il corpo del Novecento scandito da un’apoteosi di eventi di cui siamo tutti spettatori inermi e impassibili – la Liberazione， la politica nazionale francese， la guerra in Algeria e que La memoria è un carcere da cui evadere。 Il tempo unisce una voce individuale con il coro della Storia， e questa sembra scorrerci accanto senza metterci mai nella condizione di accorgercene。 Annie Ernaux， vincitrice del Premio Nobel per la letteratura 2022， ha fatto della propria biografia il veicolo per dispiegare il corpo del Novecento scandito da un’apoteosi di eventi di cui siamo tutti spettatori inermi e impassibili – la Liberazione， la politica nazionale francese， la guerra in Algeria e quelle in Medio Oriente， l’undici settembre， il femminismo， la sessualità ecc。 –， trasformandola in strumento narrativo che unisce la sua storia personale in quella di tutti。«Eravamo sopraffatti dal tempo delle cose。 Si era rotto l’equilibrio mantenuto a lungo tra la loro attesa e la loro comparsa， tra la privazione e il possesso。 La novità non suscitava più dibattiti né entusiasmo， non ossessionava più l’immaginario。 Era integrata nel quadro consueto dell’esistenza。 Forse un giorno sarebbe scomparso il concetto stesso di nuovo， come già inesorabilmente， stava scomparendo quello di progresso»。 Ogni oggetto prende vita， è forma della vita stessa， così come i cataloghi vertiginosi contenuti ne Gli anni sono istantanee che racchiudono immagini in dissolvenza contro l’oblio di ciò che non saremo più。 。。。more

Hendrik ，

Félicitations！

Hilde ，

Wow。 Bare wow。

Jon Paul Roberts ，

I haven't felt this way about a book in a long time， but The Years is special。 As I read it， I knew it was instantly one of my favourite things I'd ever read。 I'll be thinking about this forever。 I haven't felt this way about a book in a long time， but The Years is special。 As I read it， I knew it was instantly one of my favourite things I'd ever read。 I'll be thinking about this forever。 。。。more

Alícia Lara ，

"El silenci era el fons de les coses i la bicicleta mesurava la velocitat de la vida""Ella només miraria dins seu per trobar-hi el món， la memòria i l'imaginari dels dies passats del món。。。" "El silenci era el fons de les coses i la bicicleta mesurava la velocitat de la vida""Ella només miraria dins seu per trobar-hi el món， la memòria i l'imaginari dels dies passats del món。。。" 。。。more

Laura ，

Upea， dokumenttimainen omaelämäkerta Ranskan lähihistoriasta。

Yannis Tate ，

[Ik ga misschien reviews beginnen schrijven。] Autosociobiografie: Frankrijk van de jaren 40 tot 2006 geleefd via het leven van een vrouw。 Het was eerst ietwat moeilijk om erin te komen， maar eigenlijk ontzettend nostalgisch （op een leuke manier） om je in al die periodes te wanen。 Ontroerend en vertederend zijn de momenten waar haar eigen （gevoels）leven naar boven komen。 Een aanrader voor zij die geen plot nodig hebben。

Marie92 ，

Hello readers ^^ New Book review 📚 💚The Years 。。la mémoire individuelle et collective 。。 Les années Annie Ernaux 😍 C'est un récit historique qui décrit les changements sociales， psychologiques et économique en Europe et surtout en France 🇫🇷 après les guerres Mondiales 。 La façon de Ernaux est fluide et douce 。 Elle passe habilement d'une idèe à une autre dans un ordre chronologique ， elle vous rend curieux de savoir le sujet suivant。 Elle analyse les images ， les photos en noir et blanc et évoq Hello readers ^^ New Book review 📚 💚The Years 。。la mémoire individuelle et collective 。。 Les années Annie Ernaux 😍 C'est un récit historique qui décrit les changements sociales， psychologiques et économique en Europe et surtout en France 🇫🇷 après les guerres Mondiales 。 La façon de Ernaux est fluide et douce 。 Elle passe habilement d'une idèe à une autre dans un ordre chronologique ， elle vous rend curieux de savoir le sujet suivant。 Elle analyse les images ， les photos en noir et blanc et évoque les événements historiques avec tous les détails sociales ， psychologiques et sentimentales qui sont en relation。  C'est un travail qui englobent tous avec un regard d'expert 。 。。。more

Xavier Roelens ，

Dit boek toont aan dat je geen plot of conflict nodig hebt om een rijk boek te schrijven。 Dat komt omdat dit autobiografische verhaal wemelt van de spanningsvelden: de afwisseling tussen het individuele， het nationale en het internationale; de veranderende positie van de vrouw en van de seksualiteit; de wegkwijnende herinnering aan oorlogen en de mediatisering van nieuwe herinneringen; de afstand tussen Parijs en het rurale Frankrijk。 Het is tegelijk een politieke， economische en culturele gesch Dit boek toont aan dat je geen plot of conflict nodig hebt om een rijk boek te schrijven。 Dat komt omdat dit autobiografische verhaal wemelt van de spanningsvelden: de afwisseling tussen het individuele， het nationale en het internationale; de veranderende positie van de vrouw en van de seksualiteit; de wegkwijnende herinnering aan oorlogen en de mediatisering van nieuwe herinneringen; de afstand tussen Parijs en het rurale Frankrijk。 Het is tegelijk een politieke， economische en culturele geschiedenis van het naoorlogse Frankrijk。 Ernaux wil bewaren wat niet terugkomt， brengt een geschreven versie van een fotoboek， maar door haar puntige analyses van de tijdsgewrichten waarin ze geleefd heeft， is het ook een poëtisch essay geworden met een kracht die het persoonlijke verhaal overstijgt。 。。。more

Simone Vestergaard ，

If you've lived your life in France throughout the last 7 decades you probably find this book a lot better than I did。 Ernaux has written her biography in a form she sure is proud of， as it mixes third-person observations of a （i。e。 her） life with the collective "we" representing a certain time。 Unfortunately large parts of the book are listings。 First， an observation of a feeling followed by numerous objects/memories that materialized the feeling。 Sometimes the listing is so long that you forge If you've lived your life in France throughout the last 7 decades you probably find this book a lot better than I did。 Ernaux has written her biography in a form she sure is proud of， as it mixes third-person observations of a （i。e。 her） life with the collective "we" representing a certain time。 Unfortunately large parts of the book are listings。 First， an observation of a feeling followed by numerous objects/memories that materialized the feeling。 Sometimes the listing is so long that you forget what they were suppose to emphasize。 That 70% of the things listed is of French origin （obviously， since Ernaux grew up in France） makes it almost unbearable。 Mentioning French authors， movies， actors， politicians， public figures， events and places dating back to the 40'ies makes it REALLY hard for a foreign person （born in the 90'ies） to connect with the content！ Especially when the life depicted has no measures of extraordinaire。That be said， I did actually gain something important from this book。 It made me realize that the the topics of the passionate conversations I have in my life， spawned from frustration， anger or a feeling of unfairness， is not unique for my time。 That I give far too little credit or thought to the complexities （and lengths） of my parents' and grandparents' lives， as if a year in their 20'ies counts less than the previous year in mine。 That their collective demand for change was probably as passionate as what I demand today when it comes to equal rights。 I didn't realize that， maybe because it's just nature's law that you reach a age where you simply don't understand the new demands of the youth because you see them in contrast to your own （to some the right to safe sex may seem more essential than the right to consensual sex。 But should we stop demanding just because we've improved over time？）。 I'll keep those realisations with me， but it's highly unlikely I'll ever read another book from Ernaux。 。。。more

Ivy-Mabel Fling ，

On the back cover of my version of this book it is described as a 'nouvelle forme d'autobiographie， impersonnelle et collective'， a description I think suits it very well。 Although the author refers back to family photos quite frequently， the whole book is more a potted history of the period from the end of WWII up to Sarkozy and Clearstream than a standard autobiography。 Being somewhat ancient myself， it brought back a lot of memories but I am not sure to what extent it might appeal to a much y On the back cover of my version of this book it is described as a 'nouvelle forme d'autobiographie， impersonnelle et collective'， a description I think suits it very well。 Although the author refers back to family photos quite frequently， the whole book is more a potted history of the period from the end of WWII up to Sarkozy and Clearstream than a standard autobiography。 Being somewhat ancient myself， it brought back a lot of memories but I am not sure to what extent it might appeal to a much younger reader who has not experienced the events to which Annie Ernaux is referring， especially as one does not make the acquaintance of the author herself to any great extent。 。。。more

Veerle ，

Atypische biografie die tegelijkertijd een heerlijk tijdsdocument vol sociale kritiek en filosofische bespiegelingen is。 Vooral het stuk dat ik zelf bewust heb meegemaakt， was heerlijk om volgen。

Joana Figueiredo ，

Extraordinária viagem por uma vida， por um país， por um século。 Vale mesmo a pena ler。

Nicolás Morales G ，

Le projet d'écriture d'Annie Ernaux est une sorte de fresque géante parcourant 70 années d'existence et 70 années de la société française qui entraîne， bien sûr les changements de l'Histoire occidentale et du monde。 N'étant pas né en France， certaines allusions et références m'échappent et les connotations de certaines phrases familières （"j'ai les pétoches" par exemple） me sont restées obscures。 Pourtant， cette manière d'allier l'Histoire et l'histoire —sous un "elle" impersonnel et à la fois t Le projet d'écriture d'Annie Ernaux est une sorte de fresque géante parcourant 70 années d'existence et 70 années de la société française qui entraîne， bien sûr les changements de l'Histoire occidentale et du monde。 N'étant pas né en France， certaines allusions et références m'échappent et les connotations de certaines phrases familières （"j'ai les pétoches" par exemple） me sont restées obscures。 Pourtant， cette manière d'allier l'Histoire et l'histoire —sous un "elle" impersonnel et à la fois très intime， et un "on" multiforme— constitue une prouesse de style qui exalte l'expérience personnelle et arrive à rendre une dimension vécue de l'Histoire。 Le projet d'Annie Ernaux tente， comme elle-même le dit， de sauver quelque chose du temps。C'est un livre qui demande une réflexion à chaque page， presqu'à chaque paragraphe， et bien que son livre soit loin d'être une oeuvre de théorie sociologique， "les Années" peuvent éclairer certains événements qui sont en train de se dérouler。Moi， qui suis né 50 ans plus tard qu'elle et dans un autre contient， n'ai pas pu m'empêcher de me sentir identifié avec certains comportements et certains changements de la société。 On dirait que son livre， bien qu'ancré dans une époque précise， puisse continuer à décrire la société actuelle qui ne fait que continuer la plupart de pratiques décrites dans le livre。 。。。more

Lapis ，

this woman>>

Edzia ，

błyskotliwie nakreślony portret pokolenia + uniwersalne refleksje o pamięci i czasie

funda ，

“Artık asla olmayacağımız bir zamandan bir şey kurtarmak” diyerek tarif etmiş Annie Ernaux， bireysel bir hafızanın içinde kolektif hafızanın hatırasına yeniden kavuşmanın yolunu açan anılarını kurgusal bir şekilde bizlere anlatırken。Sanki 1940-2006 arası yaşanan 66 yıllık bir dönemi anılarının ışığında bir kasete kaydetmiş gibi…Ve her play tuşuna basıldığında， bir dönem bir fotoğrafın içinden fırlayıp tüm sosyolojik belirteçleri ile tarihsel ve politik bir referanslar silsilesiyle okuyucuyu yaka “Artık asla olmayacağımız bir zamandan bir şey kurtarmak” diyerek tarif etmiş Annie Ernaux， bireysel bir hafızanın içinde kolektif hafızanın hatırasına yeniden kavuşmanın yolunu açan anılarını kurgusal bir şekilde bizlere anlatırken。Sanki 1940-2006 arası yaşanan 66 yıllık bir dönemi anılarının ışığında bir kasete kaydetmiş gibi…Ve her play tuşuna basıldığında， bir dönem bir fotoğrafın içinden fırlayıp tüm sosyolojik belirteçleri ile tarihsel ve politik bir referanslar silsilesiyle okuyucuyu yakalıyor ve bir de kendi geçmişine götürüp sarsıveriyor。 Tüm okuma boyunca yargı içeren cümleler olmadan， ahlaki meselelere takılmadan， bazen şaşırarak yaşananalara olduğu gibi anlatmış tüm geçmişi ve 3。 tekil şahısdan kendi kişisel tarihini… Bu tarihi yolculukta， yazarın kendisine sorduğu gibi okuyucu da kendine yöneltiyor “Başka türlü bir hayatta daha mutlu olur muydum？” sorusunu istemsizce…Sarsan， çarpan， düşündüren bir okuma deneyimi isteyenlerin bir çırpıda okuyacağı bir kitap kesinlikle “Seneler”。 Son olarak kitaptan bir alıntıyla özetleyeyim bu anlatıyı“Dünyada olup bitenlerle onun hayatında olup bitenler arasında en ufak bir kesişme yok， paralel ilerleyen iki dizi: biri soyut， daha duyar duymaz unutulan haberlerden ibaret， diğeriyse sabit planlar halinde” 。。。more

Ivona Zengaffinen ，

Es hat lange gedauert， bis mich das Buch gefesselt hat。 Ich fand die atemlose， für mich sehr distanzierte Erzählweise einerseits recht anstrengend， aber auch besonders speziell。 Als würde man beim Durchblättern emotionslos die Bilder beschreiben， die man sieht。 Ein Erzählfluss ohne Punkt und Komma， ohne Innehalten！ Das Buch erzählt neben der Biografie der Autorin auch die Geschichte Frankreichs， sowohl politisch wie auch kulturell。 Da ich nicht alle Personen und Ereignisse kannte， fand ich es au Es hat lange gedauert， bis mich das Buch gefesselt hat。 Ich fand die atemlose， für mich sehr distanzierte Erzählweise einerseits recht anstrengend， aber auch besonders speziell。 Als würde man beim Durchblättern emotionslos die Bilder beschreiben， die man sieht。 Ein Erzählfluss ohne Punkt und Komma， ohne Innehalten！ Das Buch erzählt neben der Biografie der Autorin auch die Geschichte Frankreichs， sowohl politisch wie auch kulturell。 Da ich nicht alle Personen und Ereignisse kannte， fand ich es auch nicht so spannend。 Eine wunderschöne Sprache， der letzte Teil dann irgendwie persönlicher und auch erklärend， wie es zu dieser Art der Biografie gekommen ist。 。。。more

Claudia ，

Incredibly evocative memoir with a mix of the deeply personal and our commonly shared social history。 Full of wonderful detail。 Told in a fluid， very original style that captures this fusion of the personal and the universal。 Some highly relatable passages that resonated with me as a woman and mother。

Gabriela Krawczyk ，

Pamiętnik historyczny， nie taki jakiego się spodziewacie

Montse ，

"com representar a la vegada el pas del temps històric， el canvi de les coses， de les idees， dels costums i la intimitat d'aquesta dona， fer coincidir el fresc de quaranta-cinc anys i la recerca d'un jo fora de la Història， el dels moviments supesos que inspiraven els seus poemes als vint anys （。。。）。""Salvar alguna cosa del temps en què ja no hi serem mai més"。 "com representar a la vegada el pas del temps històric， el canvi de les coses， de les idees， dels costums i la intimitat d'aquesta dona， fer coincidir el fresc de quaranta-cinc anys i la recerca d'un jo fora de la Història， el dels moviments supesos que inspiraven els seus poemes als vint anys （。。。）。""Salvar alguna cosa del temps en què ja no hi serem mai més"。 。。。more

Grietleest ，

Al deed ik mijn best， het wilde echt niet lukken met dit boek。 In 'De jaren' vertelt Annie Ernaux over haar leven， en dat doet ze in een bijzondere vorm。 Haar herinneringen worden niet verteld vanuit de ik-persoon， ze creëert afstand door te vertellen over 'haar' en 'zij'。 De persoonlijke herinneringen die maar sporadisch langskomen zouden in feite herinneringen van ons allemaal kunnen zijn。 Maar het merendeel van de herinneringen in dit boek komen uit het collectief geheugen。 Het is een opsommi Al deed ik mijn best， het wilde echt niet lukken met dit boek。 In 'De jaren' vertelt Annie Ernaux over haar leven， en dat doet ze in een bijzondere vorm。 Haar herinneringen worden niet verteld vanuit de ik-persoon， ze creëert afstand door te vertellen over 'haar' en 'zij'。 De persoonlijke herinneringen die maar sporadisch langskomen zouden in feite herinneringen van ons allemaal kunnen zijn。 Maar het merendeel van de herinneringen in dit boek komen uit het collectief geheugen。 Het is een opsomming van verschillende wereldse gebeurtenissen， van welgekende reclamespots （althans voor de Fransen） of van politieke gebeurtenissen uit die tijd。 Ernaux schrijft op die momenten in de "wij-vorm"， maar net dat creëert jammer genoeg afstand。 Wie is die wij？ Wij uit het dorp？ Wij boomers？ Wij， de Franse natie？ Ik voel me niet geroepen of aangesproken。 Ik ken ook te weinig van die Franse geschiedenis。 Nee， ik weet niet wie Debré en Malraux zijn waardoor ik me lichtjes te jong en te dom voel。。。 en daar werd ik niet bepaald vrolijk van 🥲。Bovendien prikkelt Ernaux me niet voldoende om op onderzoek uit te gaan。 Godzijdank kwam er af en toe een Edith Piaf en Simonne de Beauvoir langs （MON DIEU， DIE KEN IK！ 🤭）Verder is 'uitentreuren' één van mijn favoriete woorden。 Maar als dat uitentreuren herhaald wordt begint het blijkbaar toch wat tegen te steken 🤔😆。Uiteraard kan die Ernaux wel ongelooflijk goed schrijven。 Niet voor niets is 'Het voorval' mij wel enorm goed bevallen。 Maar de schrijfkunst op zich was deze keer niet voldoende 🤷🏼‍♀️。'De toekomst is te onmetelijk om zich er een voorstelling van te maken， ze komt eraan， meer niet。' 。。。more

Martin Henson ，

“By retrieving the memory of collective memory in an individual memory， she will capture the lived dimension of History” （p。 224）

Peter ，

A really interesting effort to make a kind of collective autobiography， a story of an individual mostly only in so far as constituted by the times -- often a "we" not an "I，" or sometimes a "she" in a semi-impersonal analysis of photos and films。 And it's also in parts a history of its own writing。 It took me a while to get into it， but it was worthwhile。 A really interesting effort to make a kind of collective autobiography， a story of an individual mostly only in so far as constituted by the times -- often a "we" not an "I，" or sometimes a "she" in a semi-impersonal analysis of photos and films。 And it's also in parts a history of its own writing。 It took me a while to get into it， but it was worthwhile。 。。。more

Michael ，

As she reaches the end of The Years， Ernaux reflects on the form that the text has taken: "'a palimpsest sensation'。。。a potential instrument of knowledge that is not only for herself， but general， almost scientific， though a knowledge of what， she doesn't know。" She hopes to record "an existence that is singular but also merged with the movements of a generation。" Sometimes， the generalization of her specific experience （what movie she saw on a particular day， or what brand of shampoo she buys l As she reaches the end of The Years， Ernaux reflects on the form that the text has taken: "'a palimpsest sensation'。。。a potential instrument of knowledge that is not only for herself， but general， almost scientific， though a knowledge of what， she doesn't know。" She hopes to record "an existence that is singular but also merged with the movements of a generation。" Sometimes， the generalization of her specific experience （what movie she saw on a particular day， or what brand of shampoo she buys later in life） into something greater is the trouble; other times， "she seems to melt into an indistinct whole whose parts she manages to pull free， one at a time。" Ernaux writes the entirety of The Years in the first-person plural。 Sometimes it does not make immediate sense to do so， but usually this facilitates a delve into the unconsciousness of society & the body politic unlike anywhere else in literature。 She is able to pause a moment that might appear to be empty， dead time， extend it， and uncover its collective emotional content， so that we understand the nuances of the emptiness between revolutions。 Just as Ernaux energizes the difference between singular and plural， she energizes the possibilities of listing by introducing her lists with aphorisms like "The increasingly rapid arrival of new things drove the past away" （83） before cataloguing the explosion of home appliances， superstores， complex financial instruments， and portable technology， each item deepening the meaning of the original aphorism。Modernity presents her with a challenge: "We did not age。 The things around us did not last long enough to grow old， replaced and rehabilitated at lightning speed。 Our memory didn't have time to associate them with moments of existence。" As Ernaux feels the years vanish before her she can uncover the death drive in the new all around her。 Ernaux is so driven to reconcile individual sensation with collective experience， memory， and consciousness that she expands， without pretension， the possibilities of writing to achieve just that。 。。。more

Cara O'Malley ，

Wonderful， striking， fresh structure for a memoir。。。her memories are framed as collective memories of a generation （and as history）。 I will read this again and again。Oh how timely， as she just won the Nobel prize for literature！！

Thomas ，

Una biografia impersonale che diventa storia di una memoria collettiva， scritta in una lingua raffinata che copre più di mezzo secolo di ricordi e impressioni。Alcuni eventi socio-politico-culturali sono forse troppo lontani per il lettore che non vi ha vissuto accanto。

Robert ，

Those who follow my blog know that I am a huge Annie Ernaux fan。 I just love the way her books include certain details of her life and if one reads them back to back， one gets a full-ish biography。 Saying that The Years is different from her previous books。First of all the structure is less like a flowing narrative and more like a scrapbook of memories。 Here Ernaux takes a look at pictures， adverts and articles and documents the culture at the time and how it affected her。 Thus we get a whole hi Those who follow my blog know that I am a huge Annie Ernaux fan。 I just love the way her books include certain details of her life and if one reads them back to back， one gets a full-ish biography。 Saying that The Years is different from her previous books。First of all the structure is less like a flowing narrative and more like a scrapbook of memories。 Here Ernaux takes a look at pictures， adverts and articles and documents the culture at the time and how it affected her。 Thus we get a whole history of France dating from the 40’s all the way to 2006。 De Gaulle， the urbanisation of France， The Algerian conflict， The rise of Jacques Chirac and Sarkozy， The Gulf War， France’s 1998 Euro cup win， 9/11， mobile phones and much more are mentioned。What we gain out of this is how personal history is affected by what goes on in the world。 We also see how France has changed， from a mostly rural society， from a liberal one to an ultra modern and cosmopolitan one。 Annie Ernaux has experienced all of these and， as stated， they did change her。Despite the patchwork structure， The Years is readable and yet reveals it’s layers as one goes along: is it historical？ a feminist text？ a memoir？ The truth is that it is all of these。Although the book is an atypical Ernaux， I will say that it is definitely her strongest one to date。 I felt like I was taken on a journey on， mostly， unknown territory。 This is not Ernaux’s most personal book but it is her most ambitious and far reaching one。 。。。more

Eda Akin ，

Seneler gerçekten değişik bir kitaptı， bir günlük， otobiyografi tadında cidden bir fotoğrafa bakılarak bilinç akışında aklımızdan geçen düşünceler ve o fotoğrafa bakınca bize çağrıştırdığı toplumdaki ve kendi hayatımızdaki önemli sayabileceğimiz ya da bizim bölük pörçük hatırladığımız anılarımızın aktarılmasıydı。 Ernaux hem Fransız toplum tarihi， hem de kendi hayatındaki önemli anlar， ailesi， çocukluğundan itibaren hayatındaki değişimler， kuşak farklılıkları， tarih içinde değişen hayat tarzını， Seneler gerçekten değişik bir kitaptı， bir günlük， otobiyografi tadında cidden bir fotoğrafa bakılarak bilinç akışında aklımızdan geçen düşünceler ve o fotoğrafa bakınca bize çağrıştırdığı toplumdaki ve kendi hayatımızdaki önemli sayabileceğimiz ya da bizim bölük pörçük hatırladığımız anılarımızın aktarılmasıydı。 Ernaux hem Fransız toplum tarihi， hem de kendi hayatındaki önemli anlar， ailesi， çocukluğundan itibaren hayatındaki değişimler， kuşak farklılıkları， tarih içinde değişen hayat tarzını， teknolojinin gelişimi， tüketim， kapitalizm， politikanın nasıl toplum hayatını etkilediğini çok iyi anlatmış。 Zaten ilk başta çağrışım tarzında bir sürü alakasız cümleler falan okurken nasıl bir kitap diyorsunuz ama sonra hem bir toplumun hem de bir bir insanın ortak günlüğünü okur gibi sürüklenerek kitabı bir çırpıda bitiriyorsunuz。 Bana çok çarpıcı etkiler yapan cümleler vardı kitapta。 Hayatın anlardan ibaret olması， gelip geçiciliği， anlam yüklenen eşyalar， hayat tarzı， siyasi görüşler， insan ilişkileri， yaşanılan kendimizce önemli olayların veya dönemlerin bir gün önemsiz belli belirsiz anılara dönüşeceğinin gerçekliği ve tarih olarak anılmaktan öteye geçmeyeceği ve hatta bir gün unutulacağını da çok derin bir şekilde hissettiren hem kolektif hem bireysel hafızanın aktarıldığı bence çok iyi ve değişik bir kitap。 。。。more

Reference

google book https://www.google.com/search?tbm=bks&q=Les Années

hathitrust digital library https://babel.hathitrust.org/cgi/ls?q1=Les Années&field1=ocr&a=srchls&ft=ft&lmt=ft

The British Library https://bll01.primo.exlibrisgroup.com/discovery/search?query=any,contains,Les Années&tab=LibraryCatalog&search_scope=Not_BL_Suppress&vid=44BL_INST:BLL01&lang=en&offset=0